REB 42 1984 France p. 265-287 Ch. Walter, Expressionism and Hellenism. — The author examines some of the difficulties which occur when terminology useful for describing tendencies in classical and Renaissance art is transposed for the study of Byzantine art. He challenges the notion that early Byzantine art prolongs the traditions of Spätantike, on the grounds that a radical change occurred in the motivation of art production under Constantine I. He then contrasts the art production of the Byzantine Humanist revival after Iconoclasm with that of the Renaissance. He concludes that a terminology must be elaborated which is consonant with the subordinate place attributed to style in Byzantine art production.Walter Christopher. Expressionism a...
Μη διαθέσιμη περίληψηThe term «Renaissance» has been used in the history of Byzantine art to describ...
This article focuses on periodization in ancient art history, on aesthetic notions and judgments in ...
What was the part played by the artists (the craftsmen/painters) in the making of new iconographical...
REB 42 1984 France p. 265-287 Ch. Walter, Expressionism and Hellenism. — The author examines some o...
Traditional twentieth-century histories and art historical narratives point to a series of revivals ...
Walter Christopher. Ernst Kitzinger, Byzantine Art in the Making. Main Lines of Stylistic Developmen...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
The article aims to briefly observe stylistic features of most of the ensembles and single works of ...
Includes bibliographical references.Includes illustrations.This thesis reflects the study of humanis...
The relationship of the art of Byzantium with Western Europe has been a topic of scholarly inquiry s...
Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itse...
Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itse...
Roman art under the Empire manifested a protean nature, varying greatly in its visible essentials fr...
Μη διαθέσιμη περίληψηThe term «Renaissance» has been used in the history of Byzantine art to describ...
This article focuses on periodization in ancient art history, on aesthetic notions and judgments in ...
What was the part played by the artists (the craftsmen/painters) in the making of new iconographical...
REB 42 1984 France p. 265-287 Ch. Walter, Expressionism and Hellenism. — The author examines some o...
Traditional twentieth-century histories and art historical narratives point to a series of revivals ...
Walter Christopher. Ernst Kitzinger, Byzantine Art in the Making. Main Lines of Stylistic Developmen...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
The article aims to briefly observe stylistic features of most of the ensembles and single works of ...
Includes bibliographical references.Includes illustrations.This thesis reflects the study of humanis...
The relationship of the art of Byzantium with Western Europe has been a topic of scholarly inquiry s...
Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itse...
Byzantine art took significant inspiration form its Greco-Roman heritage but then distinguished itse...
Roman art under the Empire manifested a protean nature, varying greatly in its visible essentials fr...
Μη διαθέσιμη περίληψηThe term «Renaissance» has been used in the history of Byzantine art to describ...
This article focuses on periodization in ancient art history, on aesthetic notions and judgments in ...
What was the part played by the artists (the craftsmen/painters) in the making of new iconographical...